Every Picture Is a Compromise
Lessons from the Also-rans
Most photography websites show the photographer's very best work. Wonderful. But that's not the full story of a creative life. If we want to learn, we'd better pay attention to the images that aren't "greatest hits" and see what lessons they have to offer. Every picture is a compromise — the sum of its parts, optical, technical, visual, emotional, and even cosmic – well, maybe not cosmic, but sometimes spiritual. Success on all fronts is rare. It's ok to learn from those that are not our best.
This is a series about my also-rans, some of which I've been able to improve at bit (i.e., "best effort"), none of which I would consider my best. With each there are lessons worth sharing, so I will.
Previous image | Next image |
Original digital capture
What I saw that I liked:
That little chair in the sunlight. I could just imagine elders warming themselves in this passageway/entrance.
What I don't like in the picture:
Everything points my eye to the small chair — rather than to the experience of sitting there. Also, the fully lit structure in the background competes with the little chair for our attention. Not good.
What I learned:
By changing my point of view and looking out:
- The shadow of the chair becomes visible and, odd as it may seem, the sunshine becomes even more important.
- Brining out the chairs in the shadows introduces other people and conversation. Fascinating!
- Those hanging crops become a focal point of the composition telling us important information about the people who live here.
- The post at the right edge and its shiny Chinese calligraphy tell you where this is.
All this from a subtle change of position. Yup, the most important decision in a photograph is where to stand.
2nd Chances: What I might try next
I wish I had backed up another foot so the edge of the sunlit shadow was contained in that lower left corner of the image. I wonder if "content aware fill" could fix this? |
|