Every Picture Is a Compromise
Lessons from the Also-rans
Most photography websites show the photographer's very best work. Wonderful. But that's not the full story of a creative life. If we want to learn, we'd better pay attention to the images that aren't "greatest hits" and see what lessons they have to offer. Every picture is a compromise — the sum of its parts, optical, technical, visual, emotional, and even cosmic – well, maybe not cosmic, but sometimes spiritual. Success on all fronts is rare. It's ok to learn from those that are not our best.
This is a series about my also-rans, some of which I've been able to improve at bit (i.e., "best effort"), none of which I would consider my best. With each there are lessons worth sharing, so I will.
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Original digital capture
What I saw that I liked:Another Dakota Creek image, this time a guy working way up high from a "cherry picker." What I don't like in the picture:In the one above, I thought I'd be clever and us a slight Dutch angle to emphasize the precarious nature of his position. Not very convincing. What I learned:A couple moments later, he stepped off the cherry picker onto the ship structure and his life-line created the precariousness I was hoping for. Lesson learned: sometimes we can be too clever by half. 2nd Chances: What I might try nextMay I should crop a little off the top and bottom? |
